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“Oh, Mary!” is a comedic Broadway sensation that has taken audiences by storm this season. The show, created by Cole Escola, reimagines Mary Todd Lincoln as a self-absorbed alcoholic with dreams of becoming a cabaret star. Escola, who wrote the show and portrays Mary, infuses the character with a blend of seriousness and absurdity.
When it came to designing the look of “Oh, Mary!”, Escola had a vision for Mary’s iconic gown. The black moire dress, inspired by historical images of Mary Todd Lincoln, features exaggerated buttons and trim, creating a sense of entrapment. The costume designer, Holly Pierson, worked to ensure that the dress was both visually striking and practical for Escola’s movements on stage.
In addition to the gown, Mary’s hair plays a significant role in her character. Designed by Leah Loukas, the dark brown bob with curls adds to the comedic flair of the show. Loukas drew inspiration from classic Hollywood actresses and films, infusing Mary with a touch of Old Hollywood glamour.
The sets and staging of “Oh, Mary!” also reflect a nostalgic nod to classic cinematic imagery. The design team drew inspiration from old American tropes and romantic movies, creating a whimsical and theatrical backdrop for the characters. The set, created by the design collective dots, embraces a deliberately exaggerated and stagey aesthetic, adding to the overall comedic tone of the show.
As the story progresses, the show’s aesthetics become more precise, particularly in key scenes such as the assassination at Ford’s Theater. The designers aimed for a greater degree of verisimilitude in this scene, balancing historical accuracy with a touch of midcentury film aesthetics to create a visually impactful moment on stage.
Overall, “Oh, Mary!” is a homage to theater that embraces both the love for the art form and the humor that comes with it. The show’s creative team, led by Cole Escola and director Sam Pinkleton, have crafted a production that is equal parts comedic and heartfelt, inviting audiences to enjoy a warm embrace of the theatrical experience.
Source: The NY Times
