Avant-garde theater legend debuts new work “Suppose Beautiful Madeline Harvey” after a decade hiatus.
Richard Foreman, a renowned playwright and director, recently released his first new play in a decade, titled “Suppose Beautiful Madeline Harvey.” This work was staged by the troupe Object Collection at La MaMa Experimental Theater Club in the East Village. Foreman, 87, known for his thought-provoking and experimental style, has been a significant figure in the theater world for many years.
Foreman’s plays are known for delving into the unreliability of human thoughts and perceptions, often leaving audiences questioning their own existence. His unique approach to theater challenges traditional norms and pushes boundaries, creating a surreal and immersive experience for viewers.
For over a decade, Foreman captivated audiences with his annual performances at St. Mark’s Church, where he would transform the stage into a portal to his mind. As the founder of the Ontological-Hysteric Theater, Foreman took on multiple roles in his productions, including director, playwright, light and sound designer, and even a disembodied voice.
The titles of Foreman’s plays, such as “My Head Was a Sledgehammer” and “Permanent Brain Damage,” reflect the intense and thought-provoking nature of his work. Through his unique storytelling and avant-garde approach, Foreman challenges audiences to question their perceptions of reality and confront the complexities of the human experience.
Despite his absence from the recent production of “Suppose Beautiful Madeline Harvey,” Foreman’s influence and artistic vision were still deeply felt. The play’s exploration of existence and identity resonated with audiences, showcasing Foreman’s enduring impact on the world of experimental theater.
As one of the most influential playwrights of his generation, Richard Foreman continues to push the boundaries of traditional theater and challenge audiences to expand their understanding of the world around them. His latest work serves as a testament to his enduring creativity and profound insights into the human condition.
Source: The NY Times
